Nathalia Morales-Evanks is Director of Communication & Marketing at the Fowler Museum at UCLA and the Founder and Chief Content Officer of Artworkers, a podcast and platform dedicated to amplifying the voices of cultural leaders and creative professionals exploring the intersections of art, culture, and community.

Prior to joining the Fowler Museum at UCLA, Nathalia spent almost ten years at USC Museums, where she served as Director of Communications and Marketing for both the USC Fisher Museum of Art and the USC Pacific Asia Museum. During her tenure at USC Museums, she demonstrated exceptional leadership in media relations, digital strategy, and brand development, significantly elevating the museums’ visibility and deepening engagement with diverse audiences across Los Angeles.

Nathalia brings more than 12 years of experience in communications leadership for mission-driven organizations, blending her expertise in strategic storytelling and community-centered outreach to uplift the work of women artists and artists of color. Her work bridges sectors — from museums to independent media — creating platforms that foster dialogue, connection, and collective action.

A dedicated advocate for cross-cultural exchange and community-driven narratives, Nathalia draws on her multilingual and multicultural background to strengthen connections between artists and the communities they serve. She holds a Master of Arts in Communication Studies from the American University of Paris and a Bachelor of Arts in Communication Studies with a minor in French from the University of Southern California’s Annenberg School for Communication and Journalism.

In addition to her professional commitments, she serves as treasurer of the board of SoCal Museums, a nonprofit network supporting marketing and communications professionals throughout Southern California’s museum community. She also actively mentors emerging cultural workers and participates in initiatives that reimagine how museums and cultural institutions engage with the public. She remains dedicated to championing inclusive practices that expand access to the arts and cultivate spaces for meaningful dialogue.